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      Strand Of Oaks in Maquoketa


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      September 18, 2019

      Wednesday   8:00 PM

      5013 288th Avenue
      Maquoketa, Iowa 52060

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      Strand Of Oaks

      with Frankie Lee, Chicago Farmer
      When I was writing these songs, every day I would walk on the beach and I was completely alone and overwhelmed by fearbut then I realized how there really arent any rules for who you are, who youll become, or who you think you need to be. Eraserland is just that. Its death to ego, and rebirth to anything or anyone you want to be.In December 2017, Tim Showalter was uncertain about his next record and the shape it would eventually take. With no new songs written and lacking any clear vision, he was unprepared for the message he would receive from his friend Carl Broemel, the conversation that would follow, and the album that would become Eraserland. Leading off with standout track Weird Ways and his powerful declaration ofI dont feel it anymore, Eraserland traces Showalters evolution from apprehension to creative awakening, carving out a new and compelling future for Strand of Oaks.This project seemed to just fall together naturally, said Broemel, guitarist for My Morning Jacket. I felt drawn to Tims positive energy and his albumsI threw it out there that Id be happy to help in any way I could with the record. Broemel quickly reignited Showalters interest in what would become Strand of Oaks sixth full-length studio release, and within 24 hours, My Morning Jacket members Patrick Hallahan (drums), Bo Koster (keys), and Tom Blankenship(bass)were also on board.Revived by the support of Broemel and his bandmates, Showalter felt the pressure to deliver songs worthy of musicians he had admired long before and after a 2015 Oaks/MMJ tour. So in February 2018, he spent two weeks alone in Wildwood, New Jersey writing and demoing all of the songs that would eventually comprise Eraserland. And in April, he went into the studio to record with Kevin Ratterman at La La Land Studios in Louisville, Kentucky, and with Broemel, Hallahan, Koster, and Blankenship as his band. Jason Isbell also contributed his Hendrix-esque guitar work to Eraserland, while singer/songwriter Emma Ruth Rundle provided gorgeous vocals. Every song was recorded live, with all musicians playing together in one room and working to bring Showalters ideas to fruition. I remember sitting next to Tim and Kevin listening to the final mixes with tears rolling down my cheeks, said Hallahan. From start to finish, this one came from the heart.Each song on Eraserland sustains an openness and sensitivity that is enthralling, bolstered by the exceptional musicians there to realize it and rekindle Showalters passion for music-making. The album finds Showalter successfully channeling the full spectrum of sounds within the Strand of Oaks discography, from fast, synthy tracks like Hyperspace Blues to epic burner Visions, the gorgeous ballad Keys, and his devastating acoustic performance on Wild and Willing.But Eraserland also has moments of pure, upbeat exuberance, most notably onRuby, a rollicking, understated anthem driven by buoyant piano and one of Showalters most infectious melodies to date. Isbells magnificent shredding is showcased on Moon Landing, Eraserlands preeminent off-the-wall groove, while the albums title track finds Showalter resurrecting his long-dormant alter ego Pope Killdragon for a striking, synth-laden duet with Rundle.But in many ways, Forever Chords is the definitive track on Showalters magnum opus, and the manifestation of everything he hoped to achieve on this record and for Strand of Oaks as a whole.When I finished writing Forever Chords, I felt like this is either the last song I ever need to write, or the rebirth of Strand of Oaks. Poignant and heart-rending, Forever Chords gradually builds toward an emotional release rooted in our own universal fears about mortality, personal legacy, and music as a saving force.But its that first Eraserland line, I dont feel it anymore, that sets a stunning precedent for the most affecting and fully-formed album Strand of Oaks has ever released. Because despite whatever doubts or reservations Showalter had going into the process, he crafted a series of songs so perfectly matched to the musicians supporting it, and so emboldened by his own doubts and insecurities, that the result is glittering, powerful, and impassioned, a moving rock and roll saga that feels substantial and deeply satisfying, vulnerable and self-assured.

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